Auguste Rodin

The Rodin Collection of the Cantor Art Center
Stanford University

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The Thinker

Perhaps no work by Rodin is as well known as The Thinker.
This monumental piece was probably the first figure that Rodin cast for his great work,
the Gates of Hell, and it is a key component, both thematically and compositionally, in that work.

The Thinker In a letter that he wrote in 1904, Rodin explained how The Thinker came to be:

The Thinker has a story. In the days long gone by, I conceived the idea of The Gates of Hell. Before the door, seated on a rock, Dante, thinking of the plan of his poem. Behind him, Ugolino, Francesca, Paolo, all the characters of the Divine Comedy. This project was not realized. Thin, ascetic, in his narrow robe, Dante separated from the whole would have been without meaning. Guided by my first inspiration I conceived another thinker, a naked man, seated upon a rock, his feet drawn under him, his fist against his teeth, he dreams. The fertile thought slowly elaborates itself within his brain. He is no longer dreamer, he is creator.



Who is he? What is his mind creating? These are just some of the questions that cause people to pause in his presence. He is commanding, both physically and intellectually.

   

The Thinker      The Thinker

The Thinker      The Thinker

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